Tuesday, March 24, 2009

Seher presents myriad moods of devotion in the 3-day Bhakti Utsav at Nehru Park




New Delhi: Seher presents Bhakti Utsav ’09 - a three day musical extravaganza of devotional music from April 03, 2009 to April 05, 2009 at the sprawling Nehru Park, Chanakyapuri from 6:30 p.m. daily. The annual festival is being held in association with Govt. of NCT Delhi, NDMC, Sahitya Kala Parishad and First City. For more information, log on to www.sehernow.in Entry to the festival is free.

There’s no doubt indeed that there is an immense devotional music talent in various nooks and corners of India. The capital will witness a musical treat with the soulful singing of the Manganiars from Barmer to Borgeet from Guwahati; from Gurbani and Sufiana Qalam to the traditional Carnatic and Sopana renditions of Kerala; from the Fakirs of Nagore to Rabindra Sangeet and Sufiana Qawwali, all being part of perhaps the most awaited musical event of the year.

The participating artists include Manjusha Patil Kulkarni (Pune), Manganiars from Barmer (Rajasthan), Jayati Ghosh (Delhi), Fakirs from the Nagore Dargah (Tamil Nadu), Harshdeep Kaur (Mumbai), Sadanam K.Harikumaran (Palakkad, Kerala), Ravi Joshi (Nainital), Parinita Goswami (Guwahati), Bhai Harjinder Singh (Srinagar Wale - Ludhiana), T.M.Krishna (Chennai), Krishnambika Nambiar (Delhi), Kaushiki Chakrabarty (Kolkata), Mewati Jogis (Alwar, Rajasthan), Paban Das Baul (Birbhum, West Bengal), Warsi Brothers (Hyderabad) and students of Gandharava Mahavidyalaya (Delhi).

Says Sanjeev Bhargava, Festival Director: “We celebrate spirituality through music in this festival and our attempt every year is to present as much variety as possible, from places one would never normally venture to. We hardly ever repeat our artistes. This year we have a line-up of 16 artistes from all over India, all specializing in various traditions, both popular and niche. This festival aims to promote harmony, tolerance and peaceful co-existence amongst citizens. Also, this is the only way to get a first-hand experience to hear Kabir, Ram Charitmanas, Baba Bulleh Shah, Thyagaraja and Amir Khusrau all at one place!”

Bhakti Utsav, the only dedicated, thematic festival in the country that showcases devotional music in its myriad forms brings a truly bewildering variety, richness and intensity of music prevalent in many parts of contemporary India. Cutting across all regions, sects, religions and faiths, one can hear from Sanskrit chants to Bhajans in folk and popular traditions, Sufiana Qawwali to Bauls and Dhrupad, verses of Kabir, Sur, Tulsi, Meera, the saint poets of the north to Carnatic devotional compositions. The Utsav promises to create a grand spectacle whereby artists, one better than the other, will present different forms of bhakti songs.

Monday, March 16, 2009

College of Art presents its 56th Annual Art Exhibition



New Delhi: College of Art, New Delhi presents its 56th Annual Art Exhibition bringing together a unique collection of over 2000 works by the students of Bachelors of Fine Arts (BFA) & Masters of Fine Arts (MFA) from March 17, 2009 to March 21, 2009 at College Of Art, Tilak Marg, New Delhi. The exhibition, a much awaited event in Delhi’s cultural calendar, showcases paintings in oil, acrylic, water color and mixed media, drawings, posters, campaigns, layouts, display/packaging design and photography, sculpture in bronze/fiber glass/cement/stone/marble, ceramics and prints in etching, lithography, silkscreen, mosaic and weaving. The exhibition will be inaugurated on March 17 by Shri Tejendra Khanna, Lt Governor, Delhi.
Says Prof. Vijayamohan, Principal, College of Art: “The Annual Art Exhibition of the College is much more than a mere display of selected works produced during the year. It showcases the thoughts, the beliefs, the passions and the struggle of the students on road to creative self- expression. It is a summary of the various skills and techniques that they learn and explore throughout the year.”
The purpose of hosting the annual exhibition is to open avenues for the upcoming artists and give them the opportunity of experience, thrill and satisfaction in organizing solo/group shows in future or become capable curators. The exhibition provides a ‘spring-board’ for the essential professional/commercial exposure in order to broaden their horizons. No wonder then, not only do the works raise myriad issues of economic and political concern but also showcase the young artists’ sensitivity to environment and society. Issues like adoption, women’s emancipation, political turmoil, societal pressures, recycling, media, education all form a vital backdrop for the works.

Keeping up with past tradition, the Painting Department has once again produced works which are visually stunning as well as creatively stimulating. For example MFA final year student Megha Katyal’s work Weaving Self shows how Indian women constantly weave their life in the threads of social norms. The gloomy-looking face of a woman is deliberately done in tapestry and acrylic on canvas to showcase the constant struggle of a woman to balance herself as an individual in the restricted social structure. On the other hand, Megha’s junior Bharti Verma, BFA IIIrd year student, paints open windows, in her work tiled Pratibimb, to let the entry of blowing winds that brighten-up old memories. The window panes signify the transparent and illusionist reflection of our past. The contrasting background and foreground explains how everything else fades out in front of our bright memories. Akhil Arora (BFA IIIrd year) in his work Chess- the world’s Game attempts to reflect on the competitive world and our struggle to move forward in life. He believes that society is like a chess board on which all human beings act with a motive. Adarsh Sinha (MFA Final year) says of his work titled Indian Proverbs: “I paint building and monuments because the structures and the linear quality fascinate me. I also use Indian proverbs in my works through visual imagery.”

The exhibition also includes prints produced through lithography, silkscreen and etching. Mural, assemblage and weaving also form part of the exhibit. These works explore the realms of both realism and abstraction. Mosaic comes under 'mural' and is a traditional technique practiced from the medieval times and is still one of the popular mediums practiced by many of the 'muralists'. One can find very intricately 'tiled' colourful images on various topics like portraits, landscapes, still-life, interesting abstracts and large narrative panels. Students have displayed printmaking mediums by combining the traditional as well as modern techniques. They have produced excellent prints of various kinds with images from life around the city in its real and imaginative terms.

Sculpture specialization students have shown their skills and learnt techniques giving emphasis to figure drawing, portraits, creative compositions etc. Their creativity has found expression in stone, wood, glass, assemblage, metal casting etc. The subjects treated by these young sculptors at times also carry social messages. For instance, MFA Final year student Rahul Visaulia’s stone sculpture titled Jebkatra is an interesting socio-political work inspired from daily life. He explains, “I come across many people while traveling daily by bus and jebkatras are one of them. These jebkatras remind me of our politicians who are perhaps no less. My sculpture is, therefore, a message that it’s important to be aware of the surroundings for a prosperous future.” While Rahul keeps himself busy raising issues of social concern, the younger Daljeet Singh, a student of BFA IInd year, loves to indulge in his own fantasies and creates his sculpture of a dream bike titled Assemblege by using waste material.

Not to be left behind, students of Applied Arts department, too, have shown their skills in product design and social campaigns, graphic design, animation and illustrations portraying various issues like old age, adoption, impact of media etc, thereby, bringing awareness amongst the masses. For example, MFA Ist year student, Madhulika Thakur’s work SBI Education Loan provides a solution for those who want to pursue higher education but can’t afford it. She says: “I just want to spread the message across that money should never act as the hurdle of your career.” On the other hand MFA IInd year student, Aditya Sarkar opts to choose the most debated topic of credibility in Electronic Media. He explains “I wish to communicate that though every channel covers the same story but it is NDTV that appeals to me the most. The difference lies in the approach with which NDTV broadcasts its news to present a perfect analysis and massive depth in the story.”
Established in 1942, College of Art has nurtured many great teachers/artists/thinkers who have had the passion and vision to work for the development of the aesthetic aspect in life of the region. Their bond with the College is so strong that they come back to share their experiences. From amongst the alumni a few names from the vast list of those who have established themselves are Anupam Sud, late Manjit Bawa, Rameshwar Broota, Shobha Broota, Jai Zharotia, Amitava Das, Paramjit Singh, Sumedh Rajendran, Ashish Bagchi, Neeraj Goswami, Paresh Maity, Subbha Ghosh and Shukla Sawant.

This exhibition will also display work done by the senior students of Fine Arts from twelve other premier Art Colleges in the country as well as a special section dedicated to paintings, drawings and photography made by IIIrd year students on their various study tours. In addition, there will also be on display works made by College of Art students for the Sankalp Utsav in the Bhagidari mela that took place in February this year.

Says Prof Vijayamohan: “We have got such a good response to the students’ work from both the commercial and artistic community during our previous shows, that we have decided to provide further specialization to our students by introducing five new full-fledged courses from this year - BFA & MFA in Printmaking; BFA & MFA in Visual Communication and BFA in Art History!”

Sunday, March 8, 2009

SEHER presents SAMYUKTA - a unique jugalbandi of classical dance & music




New Delhi: Seher presents ‘Samyukta’; a three-day music & dance festival bringing together four top-notch exponents of Carnatic music and Bharatanatyam on a single platform for the first time ever. In a novel concept of collaborative effort between classical vocalist and dancers, the festival will be held at Fountain Lawns, India International Centre (IIC), 40, Max Mueller Marg, New Delhi from March 16, 2009 to March 18, 2009 from 7:00 p.m. onwards daily. The participating artistes are Leela Samson, Priyadarsini Govind, T. M. Krishna and Bombay Jayashri. Entry is free.

Sanjeev Bhargava, Founder, Seher & Festival Director, Samyukta says: “Samyukta literally means ‘coming together of two different streams’ and is based on the concept of jugalbandis. It is essentially a dialogue between Carnatic music and Bharatanatyam dance. There has been resistance from well known vocalists to accompany dancers live because they feel that there is a hierarchy involved and they don’t want to be subservient to the dancers. Through Samyukta, we are attempting to establish an exchange and sharing of talent to inherently strengthen the visual and the aural aspect of a performance and in turn giving the rasikas an unparalleled experience. Also, through this fest, we want to portray that music and dance co-exist and complement each other beautifully.”

The festival begins on March 16 with the resonant and mellifluous voice of T. M. Krishna along with Priyadarsini Govind’s strong lines of abhinaya (art of expression). A strict adherent of classicism, T. M. Krishna (Carnatic vocalist) says, “Samyukta is a wonderful concept. Till now, everyone saw dance and music as two separate things but through this festival, the audience will watch a conversation between our two forms of expressions that has never taken place before.” Echoes Priyadarsini Govind (Bharatanatyam danseuse): “The idea is to showcase the visual aspect of music and the musical aspect of the dance.” The second day (March 17) will see Leela Samson, Director of the famed institution Kalakshetra from Chennai perform in concert with Bombay Jayashri’s meditative music. Says Bombay Jayashri (Carnatic vocalist), “We have seen jugalbandis earlier between different genres of music but in this fest, T.M Krishna and I will be singing the same genre of music together on the last day.” And as for the grand finale on March 18, Delhities will be in for a treat as all the four artistes will perform together in a never-seen before symphony of music and dance.


ABOUT THE ARTISTS

BOMBAY JAYASHRI (Carnatic vocalist)– Born into a family of musicians with rich lineage and steeped in pedigree music, Bombay Jayashri represents the fourth generation of music practitioners in her family. Groomed under the guidance of legendry Lalgudi G Jayaraman and T R Balamani, Bombay Jayashri, today not only bears the torch of the Lalgudi tradition, but has also evolved a distinct style of her own. With a career extending over two decades, Jayashri is today among the most sought after Carnatic musicians. The myriad aficionados, spanning generations, that throng her concerts would bear ample testimony to this. Her repertoire of meditative music and rare poetry are best experienced through her compositions in her albums. She has also composed music for dance ballets and documentaries. In her voyage as a cultural ambassador of India’s rich heritage, Jayashri has performed extensively in India and abroad in the most prestigious foray, drawing critical acclaim wherever she performed. Her work has won her the acclaim of prestigious institutions in the form of prestigious awards such as the Sangeetha Choodamani and Nadabhooshanam. She also holds the distinction and the rare privilege of being the first Carnatic classical performer in the Opera House in Durban and the Russian Opera House in Helsinki, Finland. A skillful blend of uncompromising adherence to the core tradition of classical Carnatic music as well as a ceaseless quest for quality music in any form would best personify Bombay Jayashri.


T.M. KRISHNA (Carnatic vocalist) - Belonging to a family of music connoisseurs, T.M Krishna was exposed to the Carnatic classical music from a very early age. Taking notice of his talent, his mother put him under the tutelage of Vidwan Sri Seetharama Sharma at the tender age of six. Later he underwent special Ragam Thanam Pallavi (a special component in a Carnatic music concert) training under Sri Chengalpet Ranganthan and advanced training from Dr. Semmangudi Srinivasa Iyer for more than seven years. Known for his tremendous manodharma (imagination) and sampradaya sangeetha (traditional music), T.M. Krishna’s music is marked with a very high level of aesthetics in conception and execution. His complete involvement and ability to unfold ragas with ease have left many a listener lost in his music. His renditions of vilamba kalam (slow tempo) compositions are soaked with bhakti (devotion) and bhava (emotion) are a treat to every listener. His first concert was at the Spirit of Youth series organized by the music academy of Chennai (India). Since then there has been no looking back. Traveled widely in India and abroad, he has won applause from both connoisseurs and critics; received numerous awards and titles from many leading organizations and has also released many music albums from leading audio companies.


PRIYADARSINI GOVIND (Bharatanatyam danseuse) – Bharatanatyam has always been her first love ever since she was six. She specialized in abhinaya under Padma Bhushan recipient Kalanidhi Narayanan from the age of nine and received advanced training from Guru Swamimalai K. Rajaratnam, exponent of the Vazhvoor School from the age of ten. Imbibing the best of both her teachers, she says "Dance is such a complete line with visuals, poetry, drama, music…you use your whole body to communicate all of this". Selected to dance at the prestigious Festival of India in Paris, 1985 at the age of 20, Priyadarsini has since participated in several festivals like Swarna Samaroh, Khajuraho Dance Festival, performances at extensively in Europe, besides in countries like the US, Tunisia, South Africa and even Afghanistan. She has also received numerous awards like the Vasantha Lakshmi Narasimachari award (1998), the Kalaimamani award from the Government of Tamil Nadu for artistic excellence (1998), Yuva Kala Bharathi, Madras (2000), Krishna Gana Sabha award 'Nrithya Choodamani' (2002), awarded the title of 'Singar Mani' by the Sur Singer Samsad, Bombay, K.V. Mahadevan award for excellence in dancing by Sree Bharatalya, Madras. Priyadarsini has also undergone training in Kalaripayattu, the martial art form of Kerala and Nattuvangam from Kalashetra, besides learning to sing and to perform on television.


LEELA SAMSON (Bharatanatyam danseuse) - India's most dynamic and technically brilliant dancers, an outstanding representative of Kalakshetra, Chennai, Leela Samson had joined Kalakshetra as a young child and her formative years were spent in imbibing the nuances of Bharatanatyam and related arts at the feet of celebrated gurus. Over years of independent work, her dance has metamorphosed from the best of her alma mater into an exquisite personal expression. Her personal style is unostentatious, serene and characterized by an impeccable technique that blends geometrical precision with vibrancy and an unfettered ease. Her rhythmic acumen is apparent in dance compositions containing varied and challenging percussion patterns. One of her attributes is her multi-dimensional role as a performer; a teacher and a choreographer of the style. In September 1995, she launched a group called ‘SPANDA’ to explore new areas of creativity in Bharatanatyam. Literally meaning ‘a vibration’ or pulse - Spanda presents new works, in an attempt to rediscover and reinterpret traditional vocabulary, while establishing in every work a more meaningful and intimate dialogue between dance, music and stagecraft. Her performances are popular all over India and many countries of Europe, Africa and the Americas. Among the many honours conferred on her, Leela Samson was awarded the prestigious Padmashri by the President of India in recognition of her outstanding contribution to the art of Bharatanatyam as well as the Sangeet Natak Akademi Award instituted by the apex cultural body of the Government of India.



PROGRAMME
Monday, March 16, 2009 - 7:00 p.m. onwards

T. M. Krishna (Carnatic Vocal) in concert with Priyadarsini Govind (Bharatanatyam)

Tuesday, March 17, 2009 - 7:00 p.m. onwards

Leela Samson (Bharatanatyam) in concert with Bombay Jayashri (Carnatic Vocal)

Wednesday, March 18, 2009 - 7:00 p.m. onwards


T. M. Krishna and Bombay Jayashri (Carnatic Vocal) in concert with Leela Samson and Priyadarsini Govind (Bhartanatyam)